Inspired by the work of mosaic art masters like Saimir Strati, artist Shannon Larratt has created a unique self-portrait from thousands of different nails and screws.
Shannon used a four foot sheet of heavy 3/4″ plywood as canvas and six different kinds of nails and screws space roughly 5/16″ apart. He estimates there are around 20,000 pixels in his project, and over 10,000 nails. The whole thing weighs around two hundred pounds, and the artist plans to hoist it up from an I-beam, in his studio.
The first thing Shannon did was take a photo of himself, which he then manipulated in Photoshop, so the colors would match the general range of the nails, and then converted it into an indexed color image using a custom palette that matched his nail set. He stacked up all these conversions as layers, and then started the manual labour, occasionally changing or shifting the nails slightly, to improve translation.
The result of his work is just incredible, although the artist says he has learned a lot from this project and he will do a lot better next time. But, because the process of creating one of these pixelated portraits is so time-consuming, Larrat doesn’t know exactly when he will start work on another one.
Shannon used a four foot sheet of heavy 3/4″ plywood as canvas and six different kinds of nails and screws space roughly 5/16″ apart. He estimates there are around 20,000 pixels in his project, and over 10,000 nails. The whole thing weighs around two hundred pounds, and the artist plans to hoist it up from an I-beam, in his studio.
The first thing Shannon did was take a photo of himself, which he then manipulated in Photoshop, so the colors would match the general range of the nails, and then converted it into an indexed color image using a custom palette that matched his nail set. He stacked up all these conversions as layers, and then started the manual labour, occasionally changing or shifting the nails slightly, to improve translation.
The result of his work is just incredible, although the artist says he has learned a lot from this project and he will do a lot better next time. But, because the process of creating one of these pixelated portraits is so time-consuming, Larrat doesn’t know exactly when he will start work on another one.
